super songwriting month – Page 3

Happy Songwriting month! Are you ready to write a song now?

We’re going to be writing a new song every three days so that we can come out of this adventure with 10 new songs.

Intimidated? I get it, so am I, but we can do it. Remember, the songs don’t have to be brilliant, just workable. We have all month and then the rest of our lives to make the song spectacular.

TODAY’S PROMPT: Write a sonnet and put a tune to it.

It’s okay if you don’t know or remember how a sonnet works because I’m about to tell you.

It’s simple: The only rule is it has to be 14 lines. In a song, that’s probably going to look like three verses and a rhyming couplet at the end.

You can go Shakespearean on the rhyme scheme:

ABAB

CDCD

EFEF

Or Petrarchan:

ABBA

CDDC

EFFE

Or you can do whatever you want! The only rule is that it has to be 14 lines.

You can be super formulaic and write each line in iambic pentameter, but in my experience, ten syllable lines sound terrible in songs. (Yes, I have tried to fit iambic pentameter in a lyric line before. Have I mentioned that I’m a nerd?)

One thing you might try, which works wonders in getting the song to move, is to try the traditional sonnet form for subject/verse relationship. It goes something like this:

Verse one makes a statement or proposes a problem.

Verse two develops that statement or problem.

Verse Three counters the statement, or tosses a curve-ball into what you’re developing.

The end, or rhyming couplet somehow brings conclusion to the problem you’ve set up.

Have a go!

SONG OF THE DAY: Ol’ 55

This song has nothing to do with sonnets. It’s the first Tom Waits song I ever loved. The real reason I’m choosing it is because I’m hitting the road real early this morning to embark on a long drive home. It is the world’s best song for an early morning’s drive.

By the way, someone posted the whole Closing Time album on Youtube and that’s what I’ve posted. Listen to the whole thing! It’s so good. And sexy. Young Tom Waits is actually sexy.

He’s also a poet, which makes him appropriate for sonnet day.

You’re a poet too, Shakespeare. Now go at it.

TODAY’S PROMPT: learn a song written before 1900.

This site is a fantastic resource.

Once upon a time (hey nonny), I took a rhetoric of song class at Miami of Ohio that alerted me to the fact that our music history (“our” as in “American”) is chock full of songs that tell really dark, complicated stories. Ballads are the HBO dramas of the past. We’ve got songs about infanticide (“The Cruel Mother”), songs about murder guilt (“Edward”). “Mary Hamilton” is a first person account of a woman waiting for public death because she got pregnant by the king and killed the baby. Dark stuff, yo. And really dramatic.

Not all the old songs are dark. Some of them are about feeling like mack-daddies in a world gone right (“Sittin’ on Top of the World”). These songs came from overseas and morphed on American soil; their journeys help us understand where we came from and maybe where we’re going.

All the cool kids are doing it, by the way.

Everybody who is anybody knows how to play “Saint James Infirmary.” I mean, I have my version. So does Janis Joplin, despite the fact that Louie Armstrong is probably the true owner.

Gillian Welch has a fantastic “Make Me Down a Pallet on your Floor.”

These songs are great because you can play them in any setting and not worry about copyrights. Right?

TODAY’S SONG: “I Wish My Baby Was Born”

I learned about this song in my aforementioned rhetoric of song class. There’s a great version on the COLD MOUNTAIN soundtrack.

This one isn’t Jack White (who is fantastic all over that soundtrack), but it does have the potential to destroy a listener:

Lyrics:

I wish, I wish my baby was born
And sitting on its papa’s knee
And me, poor girl
And me, poor girl, were dead and gone
And the green grass growing o’er my feet
I ain’t ahead, nor never will be
Till the sweet apple grows
On a sour apple tree

But still I hope, But still I hope the time will come
When you and I shall be as one

I wish, I wish my love had died
And sent his soul to wander free
Then we might meet where ravens fly
Let our poor bodies rest in peace

The owl, the owl
Is a lonely bird
It chills my heart
With dread and terror
That someone’s blood
There on his wing
That someone’s blood
There on his feathers.

Category: super songwriting month

SONGWRITING MONTH DAY THREE: A Sonnet Song

SONGWRITING MONTH DAY TWO: Roots