Two New and Very Different Stories

It’s been a while since I updated this, but I have had a couple of stories published in 2017. One is in a print journal, one is online.

The print story is, “As Though She Could Actually Do SomethinPR-Issue-60-Cover-730x1024g,” which appeared in the Potomac Review, just in time for AWP in Washington DC. For a nice surprise, my friend, Kilby Allen, also had a story in there called “Everything Neatly Put Away.”

“As Though She Could Actually Do Something” is based on an experience I had in Thailand when I accompanied some American friends when they took their sons to see a movie at a fancy mall in Bangkok. The majority of the story is fabricated (that’s why it’s billed as fiction), but the strange chaos of doing something that is mostly familiar in a place where everything appears in a new language stayed with me for a long time. It seemed story-worthy to me.

You can read other online, “New Translations,” which appeared in the latest issue of Quarterly West. I wrote that one after accidentally getting sucked into browsing my Twitter feed during writing time, and I stumbled across an article that explained how we might have been reading a Bible verse from Genesis wrong all these years. That concept catapulted into a flash piece. I hope you enjoy it!

Two of my friends who happen to be amazing poets, Caroline Crew and Anne Barngrover, have some killer poems in that killer issue.

A Good Reminder

The inner itch to “just do it” is the artist’s compass.

Although as artists we make maps, we seldom find them. An artistic career does not resemble the linear step-by-step climb of a banker’s career trajectory.  Art is not linear, and neither is the artist’s life. There are no certain routes. You do not become a novelist by moving from A to B to C.

Julia Cameron, Walking in this World

The reward is in the making of the thing.  Do it for that.

 

“Come Go With Me” on Bibliophilopolis.

 

img_6933.pngTwitter alerted me that this site has featured my story today.  Apparently it’s part of a series called “Deal Me IN,” during which the author takes on a 52 short story reading challenge.   I have been wanting to do some sort of reading challenge involving journals, but this one is a neat idea: he lines up 52 stories to read the following year, assigns each a card, and then draws his next selections from a deck. I really appreciate how this author is promoting work that appears in journals because, you know, it gets published but we have our doubts about how many people will actually read our stories.

You can read what the author wrote about my story, here.

Tiny Desk Music

 

I am excited to share the entry for NPR’s 2016 Tiny Desk Contest that I made with my friend Libby. I wrote this song 9 years ago (!) while I was living in Thailand.

The most fun part of making this video was watching the other entries on Youtube for ideas about how to go about this one. There are so many tremendous musicians, so many fun ways to record music.1599354_10201366556065653_350168024_o

My husband, Jeremy, recorded this one and my friend Libby O’Neill is on the violin.

You can listen to her music here.

Running Writers

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After about a month of training, I am two days away from my first 5k race. I don’t remember what inspired me to start, but I am encouraged to know that for many writers, distance running is a part of their creative process. Nick Ripatrazone explores the phenomenon in November’s Atlantic article, “Why Writers Run.” Joyce Carol Oates, for instance, “eases writer’s block with an afternoon run.” Haruki Murakami says he “became a serious writer, ‘the day [he] first went jogging.'” I’ve only just started, but I can see the connection: it involves the same clock-checking doom (it’s better done without checking a clock); it’s got the same accomplishment relief/joy of putting pages and hours into a novel. 

One thing I enjoy about introducing running into my writing life is that it dispels the myth I once believed of the unhealthy genius. In the past, my understanding of a serious writer involved a hungover, cranky artist enclosed in a small workspace, escaping to a porch or balcony to smoke through sticky sentences or plot points. Cigarette breaks were my writing process but these days, I’m able to work for longer durations without the help of any sort of substance. It took me a long while to get here, and some days are better than others (God, I miss smoking sometimes), but it’s the best way for me to persist on what I like to call “the horrible uphill climb of writing a first book.” Literally running up hills somehow equips us for literary hills, if I may drop some cheesy wordplay onto this blogpost. Pushing through discomfort and discouragement–that’s probably the thing that separates the real writers from the wannabes. Not publications, but persistence.

S for Sentence

Check out this paragraph I wrote about a Faulkner sentence. I won’t tell you how long it took me to write it, but I will say that it may be the longest time I’ve ever spent on a paragraph.

S for Sentence is a cool website where writers choose sentences to reflect upon in a short paragraph. There are a lot of cool sentences out there and on the website.

(Have a ever mentioned that I’m related to W. Faulkner? He is my great-grandmother’s cousin.  That doesn’t make his sentences any easier to write about…)

Revision Tips

I really enjoyed these from author Karen E Bender at the Story Prize blog.  #10 resonated with me the most:

Remember that revision is a process and happens in stages. The first stage, you may be trying to find out what the story is about. Then you may develop scenes, layer characters. Later, you may compress scenes/characters. Then you may work on pacing. A late revision focuses on clarity and language. You may work on any of these issues during the process, but try not to get too focused on honing the language too early, as you may not know what will remain in the story. As one writer I know says, “Writing a story is like building a boat. I don’t want to spend too much time intricately painting a hatch when I don’t know if the boat even has a rudder.”

My writing tip in general: Remember that writing takes up a lot of time.